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Edgar Degas
Elena and Camila Montejasi-Cicerale
mk206
about 1865-8
Oil on canvas
57.5x73.7cm
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Edgar Degas
Portrait of Elena Carafa
mk206
about 1875
Oil on canvas.lined
70.1x55cm
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Edgar Degas
Carlo Pellegrini
mk206
about 1876-7
London
National Gallery
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Edgar Degas
Woman drying her hair after the bath
mk206
about 1893-8
Pastel and charcoal on tracing paper
84.1x105.4cm
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Edgar Degas
Russian Dancers
mk206
about 1899
Pastel and charcoal on tracing paper with addition at the bottom 8.5xcm wide
laid down onto a wove paper support on millboard
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Edgar Degas
Russian Dancer
mk206
1895
Pastel and charcoal on joined tracing paper
laid dow on board
63x54cm
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Edgar Degas
Russian Dancers
mk206
about 1899
Charcoal and pastel on tracing paper on paper.
67x47cm
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Edgar Degas
Three Russian Dancers
mk206
about 1899-1905
Charocoal and pastel on tracing paper
99x75cm
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Edgar Degas
Ballet Dancers
mk206
about 1890-1900
Oil on unprimed
very coarse canvas,unlined
72.5x73cm
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Edgar Degas
The Ballet class
mk206
about 1878-80
Oil on canvas
82.2x76.8cm
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Edgar Degas
Ballet class
mk206
about 1880
Oil on canvas
62x50.5cm
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Edgar Degas
Dancer in ther front of Photographer
mk213
Oil on canvas
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Edgar Degas
The Portrait of Martelli
mk216
a Florentine art critic,seen in his study,carpet slippered,in his shirt-sleeves abd anud a cibfysuib if oaoers
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Edgar Degas
Madame Rene de Gas
mk234
1872/73
73x92cm
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Edgar Degas
Four dansoser
mk234
about 1899
151x180cm
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Edgar Degas
Young woman who dries itself
mk234
1885
82x50cm
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Edgar Degas
Rehearal of a Baller on Stage
mk235
1874
Oil on canvas
65x81cm
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Edgar Degas
At the Beach
mk235
1876
Oil on paper on canvas
46x81cm
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Edgar Degas
The Song of the Dog
mk235
c.1876/77
57.5x45.4cm
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Edgar Degas
The Absinth Drinker
mk235
1876
Oil on canvas
1876
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| Edgar Degas
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French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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